Letter of Seminar
2011-2012
A look at the major figure of Allan Kaprow takes us back to that moment during the 1950s and 1960s when the discourse of modern formalism began to break up and to leave some room for less established positions. With an ever increasing chance of being understood, the time had finally come to lay ...
In a Germany exiting from Nazism, Joseph Beuys was effectively able to capture the attention of the public and the media by going back over the recent catastrophe. His spectacular return upon these events has meaning only when one recalls the violent world in which he had himself participated. Indeed, he set out to ...
In a Germany exiting from Nazism, Joseph Beuys was effectively able to capture the attention of the public and the media by going back over the recent catastrophe. His spectacular return upon these events has meaning only when one recalls the violent world in which he had himself participated. Indeed, he set out to ...
In 1980, the title of a key exhibition held at the French National Museum of Modern Art--Realisms: Between Revolution and Reaction, 1919-1930--announced a program. The project manager for this show, Gérard Régnier (Jean Clair), recalled our common-sense understanding of the term Realism: “the artist’s scrupulous observation of the model being represented, whether it be ...
In 1980, the title of a key exhibition held at the French National Museum of Modern Art--Realisms: Between Revolution and Reaction, 1919-1930--announced a program. The project manager for this show, Gérard Régnier (Jean Clair), recalled our common-sense understanding of the term Realism: “the artist’s scrupulous observation of the model being represented, whether it be ...
The Surrealists reinvented the idol of origins. They dreamed of their Primitive as someone standing apart from science and reality by curiously rediscovering the paths of history. As early as the 1920s, they were among the first to revolt against the serfage of non-Western peoples, and they did so not by calling, in the ...
In the middle of the nineteenth century, the reaction against spiritualism was a prelude to the struggle that would start up against art for art’s sake--against art seen as autonomous and rid of all social responsibility. A certain number of thinkers paved the way at the time by attacking this vision of an ethereal, ...
In the middle of the nineteenth century, the reaction against spiritualism was a prelude to the struggle that would start up against art for art’s sake--against art seen as autonomous and rid of all social responsibility. A certain number of thinkers paved the way at the time by attacking this vision of an ethereal, ...
Society is not immune to what Richard Thomson calls a visual culture that in turn plays upon people’s mentalities. In the case of the French Republic between 1889 and 1900, he sees an opportunity to depart from the established categories of art history, which often limits itself to studying avant-gardes while downplaying the notion ...
Society is not immune to what Richard Thomson calls a visual culture that in turn plays upon people’s mentalities. In the case of the French Republic between 1889 and 1900, he sees an opportunity to depart from the established categories of art history, which often limits itself to studying avant-gardes while downplaying the notion ...