Jean Rouch discovered the rituals of possession among the Songhai populations of Niger when he was a colonial public-works engineer before quitting that job to devote his life to research. He began filming in order to document ceremonies during which things are “activators of affects” for purposes of healing. Clara Pacquet notes the correspondences ...
# 49 | The Rights of Works | Maureen Murphy
We are familiar with the foundational book written by Maureen Murphy, L’imaginaire au musée. Les arts d’Afrique entre Paris et New York de 1931 à 2005 (Les Presses du Réel, 2009). Here, Murphy reexamines how non-Western works of art have been treated, from the moment when they were placed on the bottom rung of the evolutionary ...
# 13-3 | Primitivisms | Nélia Dias
The Surrealists reinvented the idol of origins. They dreamed of their Primitive as someone standing apart from science and reality by curiously rediscovering the paths of history. As early as the 1920s, they were among the first to revolt against the serfage of non-Western peoples, and they did so not by calling, in the ...
# 13-2 | Primitivisms | Maureen Murphy
The Surrealists reinvented the idol of origins. They dreamed of their Primitive as someone standing apart from science and reality by curiously rediscovering the paths of history. As early as the 1920s, they were among the first to revolt against the serfage of non-Western peoples, and they did so not by calling, in the ...