The Surrealists reinvented the idol of origins. They dreamed of their Primitive as someone standing apart from science and reality by curiously rediscovering the paths of history. As early as the 1920s, they were among the first to revolt against the serfage of non-Western peoples, and they did so not by calling, in the ...
# 17-2 | Appropriations | Rémi Labrusse
“Race wars are perhaps going to start up again. Within a century, we shall see several million men kill one another other in one fell swoop. The entire East against the entirety of Europe, the Old World against the New! Why not? In another form, great collective projects like the Isthmus of Suez are ...
# 17-1 | Appropriations | Benoît de L’Estoile
“Race wars are perhaps going to start up again. Within a century, we shall see several million men kill one another other in one fell swoop. The entire East against the entirety of Europe, the Old World against the New! Why not? In another form, great collective projects like the Isthmus of Suez are ...
# 15-2 | Joseph Beuys : la Fabrique d’un Chaman | Jean-Philippe Antoine
In a Germany exiting from Nazism, Joseph Beuys was effectively able to capture the attention of the public and the media by going back over the recent catastrophe. His spectacular return upon these events has meaning only when one recalls the violent world in which he had himself participated. Indeed, he set out to ...
# 15-1 | Joseph Beuys: A Shaman’s Factory | Maïté Vissault
In a Germany exiting from Nazism, Joseph Beuys was effectively able to capture the attention of the public and the media by going back over the recent catastrophe. His spectacular return upon these events has meaning only when one recalls the violent world in which he had himself participated. Indeed, he set out to ...
# 14-2 | Realisms | Jérôme Bazin
In 1980, the title of a key exhibition held at the French National Museum of Modern Art--Realisms: Between Revolution and Reaction, 1919-1930--announced a program. The project manager for this show, Gérard Régnier (Jean Clair), recalled our common-sense understanding of the term Realism: “the artist’s scrupulous observation of the model being represented, whether it be ...
# 14-1 | Realisms | François Legrand
In 1980, the title of a key exhibition held at the French National Museum of Modern Art--Realisms: Between Revolution and Reaction, 1919-1930--announced a program. The project manager for this show, Gérard Régnier (Jean Clair), recalled our common-sense understanding of the term Realism: “the artist’s scrupulous observation of the model being represented, whether it be ...
# 13-2 | Primitivisms | Maureen Murphy
The Surrealists reinvented the idol of origins. They dreamed of their Primitive as someone standing apart from science and reality by curiously rediscovering the paths of history. As early as the 1920s, they were among the first to revolt against the serfage of non-Western peoples, and they did so not by calling, in the ...
# 13-1 | Primitivisms | Sophie Leclercq
The Surrealists reinvented the idol of origins. They dreamed of their Primitive as someone standing apart from science and reality by curiously rediscovering the paths of history. As early as the 1920s, they were among the first to revolt against the serfage of non-Western peoples, and they did so not by calling, in the ...